Using his brother’s birthday bash as a diplomatic platform, Sallu buried the hatchet with Duggu on Saturday. He even fixed him a drink. The highlight of Sohail’s birthday bash turned out to be that big bhai Sallu and superstar Duggu aka Hrithik, who had a rather public spat recently, patched up.
Not only did they hug (as Duggu has promised to do in his rejoinder to Sallu’s digs at Guzaarish’s poor box-office performance) and make up, but also spent some good time together.
Our source from the venue said, “Hrithik walked in and met Sohail at the gate. Then he entered the bash. That’s when he came face to face with Salman. Salman immediately went up to Hrithik and hugged him.
After that he took Hrithik at a corner and both of them had a long chat, probably clearing the air about the comments that Salman made about Guzaarish.
After that Salman dragged Hrithik to the bar and made a drink for him. Both of them were seen smiling and hugging each other. Hrithik wanted to leave early. However Salman didn’t allow him to leave and all of them were seen chilling in a group.”
The source further said, ‘This shows that Salman has a big heart and Hrithik was also cool about the whole thing. Both of them have immense respect for each other. They let bygones be bygones.”
It can be recalled that Hrithik was extremely upset over Sallu’s comments about Sanjay Leela Bhansali and Guzaarish, for which Duggu won accolades. For the first time ever an otherwise quiet Duggu reacted to Sallu’s comments; Sallu also did not take to this lightly.
Apparently, as reported, Sallu even wanted his film Ready to be released on that same date as Duggu’s Zindagi Milegi Na Dobara, thus starting a new chapter in their war.
Duggu remained unavailable for comments. We also sent a text message to Sohail Khan but he too chose not to reply. All must have been hungover from the happiness of a battle having ended amicably.
Next is Munni Badnaam, an item number picturised on Malaika Arora Khan. It features the new found vocal talents of Mamta Sharma and Aishwarya Nigam who were born to sing this number. 'Munni Badnaam' is the creation of guest composer Lalit Pandit who has also penned the track and he is done a fantastic job on both counts. Lyrics are not as arbitrary as heard in the usual item numbers and the music is relatively innovative. Mamta and Aishwarya's fresh new energetic vocals add to the innovativeness of the song. The number is very desi with use of instruments such as the harmonium but there is also a subtle modern touch to it. From what I have seen of the song's promo it is choreographed with as much gusto as it was composed with, and I can safely say that this number is well on its way to become one of the best item numbers of 2010. Since it is an item number, a remixed version is usually welcome. Thankfully, 'Munni Badnaam' is tastefully remixed DJ Megha. The remix provides a modern-techno alternative to the original desi one. It is definitely one of the best remixes I have heard in a long time. 
Hud Hud Dabangg appears next. One can say it is a somewhat loose amalgamation of Omkara's title number and 'Taali' from Veer. It is well rendered by Sukwinder Singh and Wajid who do justice to Jalees's well penned lyrics. The track basically maps out the characteristics of our fearless (dabangg) protagonist. It oozes machismo and strength and Sajid-Wajid have done a great job composing this number. Nonetheless, it is a situational title song with little to no chance of commercial success. Its purpose resides with the movie's narrative rather than the music charts. 
In summary, Dabangg is a relatively good album. It is definitely not a Wanted. Wanted was loud and demanded attention while Dabangg's soundtrack is has a more subtle appeal and is not accompanied by the bang many of us were expecting. Kudos to Sajid-Wajid for not creating a replica of Wanted but they also lose points for lack of oomph. That being said, the album has some great numbers. 'Munni 'as mention previously will be climbing the charts for sure whether she is infamous or famous, thanks to Lalit Pandit and Malaika Arora Khan. 'Tere Mast Mast Do Nain' is simply irresistible. It is unabashedly romantic and that is what makes it so lovable. 'Chori Kiya Re Jiya' may not have actually stolen hearts but has definitely broken and entered into some hearts with Sonu and Shreya's enthralling vocals. If you liked Omkara's title number, you will definitely like 'Hud Hud Dabangg 'but the extent of its appeal is definitely limited. 'Humka Peeni Hai's', though loud and fast paced, just does not hold the appeal that Munni Badnaam did and fact that it is a bit of a boys club may hinder its success. Having tasteful remixes definitely wins Dabangg points. It is definitely one of the first albums I have heard where I have nothing bad to say about the remixes. Since the tracks are so desi, the remixes gives the listeners the modern alternatives to the originals. Obviously, the 'Dabangg Theme' is the sore point of the album. The track just needed some editing and forgoing something that simple is just laziness. At the end of the day, Dabangg shows honest effort by Sajid-Wajid who just keep getting better with every album. The only criticism is that the music of Dabangg just needs a louder and more powerful bang!
